Level 3 Diploma Perioperative Support Essay Example for Free

Level 3 Diploma Perioperative Support Essay Explain how and why person centred values must influence all aspects of health and social care work Some of the person centred values that influence aspects of health and social care are; Good communication How By using good communication you can give a person centred approach to care. Giving a patient/individual as information as possible is a way of good communication, inform them what you are doing before you do it and while you are doing it, explain why you will be doing what you are doing or about to do and let them know what to expect i. . if you are about to canulate them let them know that they may feel a sharp scratch Why Giving a patient/individual constant information helps make the patient feel at ease as they feel more involved in what is going on and have a clear understanding of what is going on , this also gives the individual the knowledge of what will be happening and why. Communication is a key element in giving person centred care Choice How By asking a patient/individual if they would like to keep there hearing aid in while I take the patient down to theatre I am giving them a choice whether they would like to remove there hearing aid or choose to keep it on. Why By giving patients/individuals choices you are giving them a bit of control in an environment where patients can feel they have no control over what is happening and by giving them small options it can make them feel a bit more in control and give them some dignity and respect. Making time How In main theatres it can be hard to make time for patients as time is usually of the essence and the need for keeping the theatre list moving quickly and efficiently is paramount, but by simply talking to your patient while you are transporting them down to theatre can make all the difference, it helps calm the patient down, taking there mind off the operation they are about to have. By talking to them while you are transporting them you are still keeping to the time limits set out before you. Why Making time for a patient/individual is probably the most important thing you can do in a system where the patient may feel like there being dragged from pillar to post in a busy department where no one has time for them and feel that it’s a case of â€Å"get them in get them out† attitude. Taking just two minutes out of your schedule can make a massive difference to a patient as it helps reassure them that they are not forgotten which makes the patient feel important and not a burden on the system.

Michael Ondaatjes Coming Through Slaughter

Michael Ondaatjes Coming Through Slaughter Michael Ondaatje, the first Canadian writer to win the prestigious Booker Prize in 1992, is celebrated as a contemporary literary treasure. In his works he attempts a re-evaluation of history by focusing on relations between the margins and the centre, the personal and the public. As such his works readily lend themselves to post-modern and post-colonial approaches to literature. In addition, Ondaatjes distinctive appeal is that of an experimental practitioner and stylish expert in creating sensuous and sensual effects. Ondaatje draws heavily from his personal experience of being at the intersection of cultures, which enables him to attempt a special review of reality. Born in Sri Lanka, the former Ceylon, of Indian/Dutch ancestry, he went to school in England, and then moved to Canada. His multicultural roots and upbringing in multicultural society has provided him with a special insight into diverse positions and views. Acknowledged as one of the worlds foremost writers, Ondaatjes artistry and aesthetics has influenced an entire generation of writers and readers. Although best known as a novelist, Ondaatjes work also encompasses memoir, poetry, and film, and reveals a passion for defying conventional forms. From the memoir of his childhood, Running In The Family, to his Governor-Generals Award-winning book of poetry, Theres a Trick With a Knife Im Learning To Do (1979), to his classic novel, The English Patient (1992), Michael Ondaatje casts a spell over his readers. His works are characterized by a bleakly evocative narrative and minimalist dialogue, blending documentary and fictional accounts of real characters. The present paper attempts to trace and evaluate Ondaatjes explorations of identity as retrieved from history and memory. The focus is on Coming Through Slaughter, in which Ondaatje recreates the forgotten story of Billy Bolden, transforming it with such ingenuity that it occupies the space between history and memory, reality and imagination. The no vel explores the themes of alienation and infidelity that so often lead an individual to self-destruction, a typical element of the modern lifestyle. First published in 1976, the novel Coming Through Slaughter is a fictionalized version of the life of the New Orleans jazz pioneer Buddy Bolden. Charles Buddy Bolden (September 6, 1877 November 4, 1931) was an African American musician. He is regarded a key figure in the development of a New Orleans style of rag-time music which later came to be known as jazz. The novel covers the last months of Boldens sanity in 1907 when his music becomes more radical and his behavior more erratic. Ondaatjes concern however is not as much with the actual life story of Bolden as with the world of the time, where, as he says, There was no recorded historyà ¢Ã¢â€š ¬Ã‚ ¦History was slowà ¢Ã¢â€š ¬Ã‚ ¦(2,3).The novel portrays this historical figure in a way that draws on his actual life, but as Cynthia F. Wong succinctly points out, Ondaatje blurs the generic distinctions between poetry and prose, factual verisimilitude and fictional reconstruction (289) in order to explore the novels central theme. The novel comprises of a series of events strung together as snap shots demanding from readers to imagine and retrieve the self of Bolden from them. Ondaatje artistically and beautifully narrates the tale of the protagonist Buddy Boldens descent into his own hell. A blues musician, Bolden was unsurpassed in his time as his work influenced the music of several later generations. However in his time he struggled to transcend lifes miseries even as he frequently lapsed into despair, loneliness, and subsequently, madness. In this novel, Ondaatje touches the issue of infidelity with gossamer perfection and adds new dimensions and understanding to it. He raises pathos to such poetic heights that his genius matches with that of the great Greeks and does not falter when compared with greatest Bard of Elizabethan era- Shakespeare. There are no kings, no queens and no princes. There is nothing halo about the mega character. Neither there are gods nor ghosts to guide the hero. However, there is wisdom of the blood feeling on the hair tips and a wild passion that guides. The milieu depicted in the novel is lewd and lascivious. As he writes, By the end of Nineteenth century, the Storyville district of New Orleans had some 2000 prostitutes, 70 professional gamblers, and 30 piano players.(3) But it had only one man who played the cornet like Buddy Bolden he who cut hair by day at N. Josephs Shaving Parlor, and at night played jazz, unleashing an unforgettable wildness and passion in crowded rooms. The world that Ondaatje portrays is inhabited by people living at the margins of society; pimps, whores, barber, musicians playing in bars, etc. Through such a portrayal, he recreates the exciting world of jazz, as he describes how whores lay naked on the stage amidst a rendering of wild, loud and vibrant music- sensuous and passionate in the background. There is no talk of morality or other rules governing civilized society. Ondaatje takes us to the places where there are over 100 prostitutes from pre-puberty to their seventies (2). Music players are barbers. It is a dead crowd where money is the most living thing. They are neither Titans nor war wrecks or winners, but blacks pulsating with vigor, strength, passion and promiscuity. Ondaatje thus gives a presence to people who have always been deprived from occupying the historical space. The novel is explicitly about Boldens identity as expressed in his music, but implicitly, it is about his identity as a black man whose musical insistence on freedom is thwarted by worsening racism in New Orleans at the beginning of the twentieth century. Yet as Ondaatje observes, many interpreted Boldens subsequent crack-up as a morality tale of a talent that debauched itself. But his life at this time had a fine and precise balance to ità ¢Ã¢â€š ¬Ã‚ ¦ (7). Ondaatje portrays Bolden, an American of African ancestry as a tragic artist, a man whose musical genius isolates him from friends and family and eventually leads to his insanity. The black-white racial conflict however does not become the focus of the novel. Rather structured like jazz music, the novel presents a fragmented, multi-voiced, episodic narrative that draws even an unwilling reader into its passion. In this ordinary world, Ondaatje takes up the issue of infidelity. There are no accusations, no cold revenge, no plotting, no cursing, no murdering; but silent suffering- an ache in the soul-a sublimation and pouring out of the heart in the art i.e. music. As Ondaatje portrays, the cruelties of external world pervade the personal one too. Shakespeares Hamlet could rightly aver, Frailty- thy name is woman. But here both men and women are frail. Why so? Not an easy question to answer. In an unjust world where the primary struggle is that of survival, pure bonds of love are impossible to forge. Infidelity has remained curse of all ages, civilizations and tribes. Wounds and woes of infidelity lead to unbearable pain that becomes difficult to express. Why one falls in bondage, why seeks solace in this bondage, one does not realize. Why man and woman wish to break this bondage? Perhaps no one can ever describe. Buddy has learned that Tom Pickett is having an affair with his common-law wife , Nora Bass. Pickett is an extremely handsome pimp in the city of New Orleans. Boldens wife, Nora, was formally part of Picketts business endeavors. After Pickett boasts about his relationship with Nora, Bolden doubts the stability of his construction of Nora, If Nora had been with Pickett. Had really been with Pickett as he said. Had jumped off Boldens cock and sat for half an hour later on Tom Picketts mouth on Canal Street. Then the certainties he loathed and needed were liquid at the root (75). What emerges in the novel thus is the murky world at the very rag and bone shop of society where alcohol and sex make up for pain and love, and music exudes ineffably from the fabric of blasted lives. Boldens musical progress is differentiated from that of his contemporaries and followers as clear and even transcendental, particularly at the point where he becomes irretrievably insane. But why such a talented and pure spirited man should linger on in the mental asylum for all his life and die anonymous. Herein lies the true ache of novel and its genuine pathos. Buddy is neither killed or murdered nor crucified but is slaughtered on the altar of infidelity. When Bolden meets Robin Brewitt, Ondaatje observes that he nearly fainted (27); he loses control of his senses, and, perhaps in more romantic terms, his heart. The early stages of Boldens relationship with Robin are marked clearly by an ongoing loss of control or, more accurately, by the loss of the balance that characterized his life with Nora. Robin seems to represent an alternate other for Bolden a second chance, as it was, for his constructing a kind of truth for himself. It is stated repeatedly that even though Bolden has numerous women throwing themselves at him, he truly loves Nora. However, after Bolden runs from New Orleans, he finds himself without Nora. As Ondaatje portrays, Bolden does not really love Robin. Robin is his outlet. She blurs into Nora- and Nora is not his. He is completely alienated and devastated- devoid of everything- including his kith and kin. Only a slow and anonymous death is his destiny- a destiny of every modern man. The story is told in many fragme nts and many voices: Actual accounts of Boldens life and performances, oral history, lists of songs, biographical facts, narrative, dialogue, interior monologues, psychiatric reports, bits of poetry and lyrics, the authors own voice through which Ondaatje weaves a series of brilliantly improvised sets. There are blues, there are the hymns, there is rhythm, there is free jazz, there is melody, soul, mood, wild aggression with notes flung out in pain and hurt and it all creates an atmosphere, an environment. New Orleans whores, pimps, drugs, booze, clarinets and cornets, jazz and jazzmen, ship builders and photographers and love and lunacy. Buddy also breaks the boundaries of love; he sacrifices his wife and children in order to pursue something more with Robin. In the Parade on fifth morning, Buddy gives his last performance. In the Liberty-Iberville concert, during the performance, Bolden is fascinated by a dancing girl who follows the rhythms and dances to his tunes intoxicatingly. Boldens self is completely immersed into music, so much that he even forgets the audience. The mounting tension between Bolden and the girl is reflected in the prose of the passage as run-on sentences break into fragments and then continue to the climactic point of Boldens complete immersion into music: In fact, the following passage reads much like a metaphor for the act of sex. Boldens love life is revealed when he describes the beautiful dancer as a culmination of his lovers. Then with the gorgeous dancer at the parade who pushes him to further limits leading to his destruction: All my body moves to my throat and I speed again and she s peeds tired again, a river of sweat to her what her head and hair back bending back to me, all the desire in me is cramp and hard, cocaine on my cock, external, for my heart is at my throat hitting slow pure notes into the shimmy dance of victory . . . feel the blood that is real move up bringing fresh energy in its suitcase, it comes up flooding past my heart in a mad parade, it is coming through my teeth, it is into the cornet, god cant stop god cant stop it cant stop the air the red force coming up cant remove it from my mouth, no intake gasp, so deep blooming it up god I cant choke it the music still pouring in a roughness Ive never hit, watch it listen it listen it, cant see I CANT SEE. Air floating through the blood to the girl red hitting the blind spot I can feel others turning, the silence of the crowd, cant see (131-32). Thus the instrument and the player become one. Diffusing himself, rather melting himself, blowing out himself through the cornet, his body, nerves, veins, sperms and aches of the soul find release. The whole scene is so built; the pitch of the music is raised to such sublimity that everybody is purged of his or her sin. The pathos of the jazz turns lyrics into hymns. The dancing girl appears to be a nymph and Buddy becomes the mystic piper. The appearance of a dancing woman who reminds him of both Nora and Robin releases his latent insanity, which is manifested in a stroke that he suffers while playing his cornet. Bolden spends the rest of his life in an asylum in nearby Jackson, returning to New Orleans only for burial in 1931. It is devastating to watch him confined, suffer abuse and gradually slip into madness. Jon Saklofske recognizes that Ondaatje rescues Buddy Bolden from historical obscurity by elevating and complicating the musicians largely forgotten history with a self-conscious and largely fictional synthesis of memory and imagination. The liberties Ondaatje takes in Coming Through Slaughter with his subject to achieve this re-presentation and the ownership of the portrait that results, exposes this type of authorial activity as a problematic appropriation. As a collector, Ondaatje becomes the owner and an essential part of this transformed and personalized image of Bolden. Further, Saklofske rightly argues that Ondaatje preserves Boldens presence, actively confronts historical exclusivity, and interrupts his own authority over his subject. Although his interaction with actual historical figures decreases with successive novels, Ondaatjes personal encounter with the impersonal machine of history continues, asserting itself repeatedly as a successful strategy against destructiveness or authoritative exclusion. Ondaatje tells of Buddy Boldens descent into his own hell, unwittingly or self-created, we do not know, but, in the process generating a level of art and beauty unsurpassed in the postmodern era. It is a story of despair, madness, loneliness, of the viciousness of life affecting high art, of art struggling to transcend lifes miseries, not always successfully, but ultimately a tale of aching lyricism. Ondaatjes language is innovative and appropriate and his strong theme is rich with universal implications. Ondaatje uses technique of Repetition with regards to the title. Twice in the book, Ondaatje includes references to a town north of Baton Rouge called Slaughter, through which Buddy passes twice. The most concrete theme is the idea of the setting as slaughter. The acceptance of promiscuity is a major cause of conflict and downfall. Ondaatje includes a description of the mattress whores who have been kicked out of Storyville for showing evidence of having sexually transmitted disease s. They are literally rotten. Promiscuity also seems to rot Bolden. By the time he has had his gratuitous fun in Storyville, married Nora, abandoned Nora, and had an affair with another woman, Bolden has lost his passion for jazz and is obsessed with sex. I desire every woman I remember (99), he says while he is isolated outside New Orleans. Ondaatje thus explores the connection between creative talent and self-destruction. He however does not try to answer any questions for his readers. He gives the facts, filling in where needed, and lets the reader decide what to think. After Boldens return to New Orleans, he is driven into deeper madness than before until he eventually experiences a climactic breaking point during a parade. Some say it was the result of trying to play the devils music and hymns at the same time. Others say it was from too many general excesses. Whatever the cause, Ondaatje makes it clear that, for Bolden living in New Orleans in the early 20th century, the road to anonymity was much more difficult than the road to fame. To sum up, Ondaatje attempts to retrieve the story of Buddy Bolden which lies hidden beneath layers of time. He draws as much from history, as from memory, re-mixing facts with fiction, reality with imagination, even reinventing the self of Bolden by mixing him with what he terms in the postscript as personal pieces of friends and fathers. In the novel thus, Ondaatje grapples with the intertwined notions of history, memory and identity portraying how memory affects history, to preserve, as also to distort. Identity as such has to be retrieved, reinvented and restructured from the obscure and impersonal discourse of history. The novel however leaves that task to the readers. Works Consulted: Deshaye, Joel. Parading the Underworld of New Orleans in Ondaatjes Coming Through Slaughter American Review of Canadian Studies. ( December 22, 2008). Emmerson, Shannon.Negotiaing the Boundaries of Gender: Construction and Representation of Women in the Work of Michael Ondaatje. A Thesis in The Depanment of English Presented in Partial Fulfilment of the Requirements for the Degree of Master of Arts at Concordia University. Canada ,November 1997. Ondaatje, Michael. Coming Through Slaughter. London: Bloomsbury,2004. Saklofske, Jon. The Motif of the Collector and Implications of Historical Appropriation in Ondaatjes Novels. Comparative Cultural Studies and Michael Ondaatjes Writing. West Lefayette :Purdue Univesity Press,2005: 73-82. Vander,Kristin Coming Through Slaughter: The Destruction of a Man, Catapult. Vol.2, Num.4:2003 Wong, Cynthia F. Michael Ondaatje. Asian American Novelists: A Bio-Bibliographical Critical Source Book. Ed. Emannuel S. Nelson. Westport, CT: Greenwood Press, 1998. Zepetnek,Steven Tà ¶tà ¶sy de. Comparative Cultural Studies and Michael Ondaatjes Writing. West Lefayette:Purdue Univesity Press, 2005.

Success and Failure in the US-Mexico War on Drugs Essay -- Essays Pape

Illegal narcotic drugs represent a $60 billion market in the U.S., and this year alone the State and Federal governments will each spend roughly $20 billion in attempting to stifle this market. The amount of money involved in the drug trade, substantially inflated due to prohibition, makes both systemic corruption and violence inevitable. The illegal drug trade is a sophisticated international network, and while no nation’s involvement is limited to one economic function, one relationship is crystal clear: Mexico serves as a high-volume channel of drugs into the United States, and drug traffickers will go to great lengths to continue serving the American consumers as long as their demand exists. A 1997 article stated that narcotics funnel as much as $30 billion into the Mexican economy each year, â€Å"more than the country’s top two legitimate exports combined.†[1] Despite decades of attempts to control this illegal activity, the public perception is that the United States’ war on drugs has failed to substantially reduce both the supply and demand of illegal drugs. Supply-side efforts have been plagued by conflicting political priorities and corruption in both American and Mexican administrations, while the costly anti-drug advertising campaigns and increased incarcerations of drug users have had only limited success in decreasing the demand for drugs. Furthermore, the inherent difficulty of international coordination in such an effort has hindered the success of the drug war. As James Finckenauer, Ph.D. of the National Institute of Justice states, â€Å"The complexity of the worldwide drug market and the vast resources available to narcotic producers and traffickers requires afflicted countries to collabor... ...] â€Å"Healthy People 2000 Final Review.† Department of Health and Human Services, Centers for Disease Control and Prevention, and National Center for Health Statistics. October, 2001. [15] â€Å"News from the DEA.† Speech by Asa Hutchinson, September 16, 2002. Baylor University. [16] Community Epidemiology Work Group. â€Å"Epidemiologic Trends in Drug Abuse: Advance Report.† National Institutes of Health and National Institute on Drug Abuse. December, 1999. [17] www.drugsense.org [18] â€Å"Gangster Cops,† a lecture by Joseph McNamara, Stanford University. Engineering 297, April 30, 2003. [19] â€Å"Gangster Cops,† a lecture by Joseph McNamara, Stanford University. Engineering 297, April 30, 2003. [20] â€Å"Vicente Fox on the Transition, NAFTA, Corruption, Drugs, the Economy...† Business Week: July 17, 2000.

Stone Temple Pilots :: essays research papers

Stone Temple Pilots Alright, so here is what I know about STP. The Stone Temple Pilots are a band that was formed in San Diego in 1988. Weiland hooked up with Robert Deleo at a show in California and then picked up Eric Kretz. and then after finally convincing Dean Deleo to come to California They were officially known as Mighty Joe Young. They recieved their first gig in 1990 in a place in L.A. After a couple of years they got a big show in L.A. They hired agent Don Muller and he told atlantic about Mighty Joe Young. After a while the band signed with Atlantic. Unfortunately during recording Mighty Joe Young was told that a singer had already taken the name Mighty Joe Young. After about a month the band came up with Stone Temple Pilots. Finally The band finished their album CORE in september 1992 and it went platinum. it was followed by a second release PURPLE two years later which also was a big hit and with the Herion addictions aside, Stone Temple Pilots is one of the best bandson the planet- or any planet..Early labels of Pearl Jam Wannabees or Nirvana soundalikes have long since disspated, and Weiland and the boys have created a wall of sound all their own..Sometimes an all outfrenzy of driving energy- (Sex Type Thing, Meatplow, Trippin on a Holein a Paper Heart), to the more subdued tracks of Creep, Pretty Penny, and Big Empty. The STP trademark sound can be best heard on Plush, and Interstate Love Song..Classic Rock and Roll for the new generation.. This band has it all- variety, talent, harmony, lyrics and a great overall concept for each album released.. It would be hard for me to say whichalbum is the "best" as each carries with it its own style andflavor. Core is STP's forray into "pop" culture carving out an immmediate presence in the "alternative" arena..Next, came Purple- although sales were not quite as impressive as their first, this album dives into new territory for the band..Best tracks include Insterstate Love Song, Vasoline, Big Empty, and Pretty Penny. Their newest- Tiny Music has almost an "80's feel to it with a more mellow, more raw sound. Big Bang Baby, Trippin on a Hole in a Paper Heart, and Lady Picture Show shine on this eclectic offering..What more can be said about the world's best band.. October 22 my friend Arash came over my house and showed me three tickes to Stone temple pilots concert at Irvine he asked me if I wanted to go ?

Leadership And Management Essay -- Business Leadership Management

In today's world economy companies come and go every single day. It takes good strong leadership and management to guide an organization to success. While many people consider management and leadership to be synonymous they are in reality two different concepts. A person can be a good leader but if he does not know how to manage a company that company will be destined to fail. Also if a person had great management skills but lacks in leadership no matter how good he is if he can not lead his employees towards the goal then it is a failed attempt at success. Management is considered a job description whereas leadership is considered a trait. In this paper we will differentiate between management and leadership. We will also examine how leaders create and maintain a healthy organizational culture. As stated before management and leadership are two different concepts. Wikipedia defines management as "the process of leading and directing all or part of an organization, often a business, through the deployment and manipulation of resources". In the world of business, management can be stated as a pursuit towards an overall goal that is effective and efficient. Also management is the ability to integrate works from different workforces through planning, and organizing. Ultimately management is a theory that is put into practice by a team to create a successful organization. The individuals in these teams are known as managers. It is the job of these individuals to guide a company towards the goal. To properly manage it takes a set of functions to make the organization su... ... concerns with process" (leadership, 2005). In closing it is up to management to make sure that the plans and processes are in place, and it is up to the leaders that have the leadership abilities to act on those plans and use those processes. Works Cited Management. (2005). Retrieved Nov. 14, 2005, from Management Web site: http://en.wikipedia.org/wiki/Management. Leadership. (2005). Retrieved Nov. 14, 2005, from leadership Web site: http://en.wikipedia.org/wiki/leadership. orgainzation culture. (2005). Retrieved Nov. 14, 2005, from orgainzation culture Web site: http://en.wikipedia.org/wiki/Organizational_culture.

What time you call this?

She returned a few seconds later, there was a little glimmer of satisfaction on her face. She paused in the centre of the' hall, as though wondering what to do next. Then, suddenly, she turned and went across into her husband's study. On the desk she found his address book, and after hunting through it for a while she picked up the phone and dialled a number. â€Å"Hello,† she said. â€Å"Listen – this is Nine East Sixty-second Street . . . Yes, that's right. Could you send someone round as soon as possible, do you think? Yes, it seems to be stuck between the second, and third floors. At least, that's where the indicator's pointing . . . Right away? Oh, that's very kind of you. You see, my legs aren't any too good for walking up a lot of stairs. Thank you so much. Good-bye.† She replaced the receiver and sat there at her husband's desk, patiently waiting for the man who would be coming soon to repair the lift. â€Å"What time do you call this?† she said The repairman replied, † well sorry for running late but my car broke down† â€Å"Oh well don't worry but I will not be paying you full price† she declared He replied in a rudely manner â€Å"Okay madam, I'm really sorry, it wasn't entirely my fault† She interrupted â€Å"Quick, quick!!! I'll have to dust the house before my husband comes home, im tired as it is† The repairman started fixing the elevator, it was continuously playing up. the repair man said â€Å"this is too dangerous to be in use and someone should have been called out weeks ago other than that it should be working in any second now† She replied, â€Å"Oh thanks dear, I shall be paying you nineteen dollars† â€Å"Oh yes that will do† he said with a disappointed sigh. The repairman started fixing the elevator, he took out a few tools, a spanner, screw driver and a hand drill, he tried and tried to open the jammed elevator but it wouldn't open, Mrs Foster saw this so she offered to help, † do you need help there mister?† â€Å"Well†, he said with a surprised face â€Å"mrs I haven't got the right tools so ill have to come back tomorrow† â€Å"No you will not!!! I need it fixed now, so it will get fixed now also I have some tools under the sink in the kitchen† she declared Ill have a look, hopefully you have a crowbar, that's all I need† he replied Fast, fast I don't much have time,† she said. So the man got the crowbar, put one end in the gap and put all his weight in the other , Then a little gap emerged and a sudden stench infested the nose of the repairman. â€Å"Orrghh that bloody smells† he shouted â€Å"What, what is the matter?† She shouted Mrs foster then went towards the elevator and said â€Å"open up we'll see what has made that ghastly smell if you be quick† Then man opened up the rest of the lift so they could see what in the lift. â€Å"Oh my little smooch, my cat, my cat its dead† she wailed â€Å"I better get a bag† he said with a confused face. He got a bag for the cat. Mrs foster was surprised and disappointed, and she showed a glimmer of dissatisfaction, the cry sounded rather unreal, not usual cry that her pet had got stuck in the lift and died but an obvious exaggerated cry. â€Å"Here's nineteen dollars,† she said â€Å"Oh thanks, hopefully no problems should reoccur† he said So the man left the house, she was slightly upset. She got in the elevator and went up to her bedroom, she put down the suitcase and lied down on the luxurious bed that she had, it consists of a king bed, which had a crown looking thing at each corner of the bed. Half asleep she heard a creeping noise of footsteps; she thought it was nothing but her mind playing on her. The noise got closer and closer, but she was getting sleepier and sleepier. With her eyes slightly closed she could feel a shadow over her, She reluctantly opened her eyes and to her amazement it was Mr foster, â€Å"Its alright your safe with me, go back to sleep† he muttered While she was falling into deep asleep, he quietly went to the closet and opens the draw He took a sharp object and walked over to the bed was went towards Mrs foster, put his hand in a plastic bag then stabbed her in the neck.

How to Survive the 1st Week of College

How can you survive the first week of college Do you ever find yourself anxious, nervous, and afraid of the first week of college? Well, you shouldn’t be. College is the best time you will have during your life time and shouldn’t be wasted especially the first week which is the most energetic time. To survive the first week of you college, all you need to do is have proper hygiene, quickly accommodate yourself with new friends, including peers and teachers, and lastly you should adapt yourself to your new environment. Do you like people that come to school with morning breathe, sweat, and look as if they’ve been up for five days straight?A clean person is a healthy person. Without good hygiene you will have a bad first impression. It is important for a student to take care of themselves by properly taking a refreshing bath, so that all the sweat accumulated over night can be washed away and you could feel refreshed and rejuvenated. It is also a good practice to c ome to college with your teeth brushed and your breath smelling fresh and new just like your body after a shower. This will let your peers know that you are properly cleansed and are ready to presume with the educational process.They will also like to be around you for your fresh and new smell. You should not only have proper hygiene but you should also accommodate yourself with new and reliable friends. You should not only make friends with your peers but also with teachers. This will help you to socialize and widen the amount of friends you currently have. Moreover, they will get you out of harsh and intense situations such as a quarrel or argument. Befriending teachers is very useful because they could help you to understand the work better and give you easy learning methods.College provides stress daily; therefore, could bring down your mental focus and also bring down your grades which will then affect your GPA. However, with good companions this will not happen because they wi ll brighten up your day and take away your stress. Your new friends, including peers and teachers will then be your new family during college hours. You guys will be looking out and taking care for one another. Basically, you should always make new friends during your first week of college because in the longer run you will need their help for support and encouragement.Secondly, not only should you have and show good hygiene and make new friends but you should also adapt with your new surroundings. You should learn and adapt to your surroundings as soon as possible so that you can become familiar and comfortable in your new environment. This will help you to easily maneuver your way through the structure of your college. Furthermore, knowing your surroundings is essential so you can prevent getting going astray and having to ask directions. Knowing your surrounding is a good way not to get into trouble, you do not want to find yourself in the wrong place at the wrong time.In short, the first week of college can be easily survived by have proper hygiene, finding and accommodate yourself with new friends, and lastly adapting yourself with your new environment. You do not want to show a bad first impression, you do need the help of new friends which include classmates and teachers, and you surely have to learn and intertwined yourself with your new surroundings so that it becomes a part of you. These steps will greatly impact your first week in college and make it more comfortable for you to overcome your anxious, nervous and scared feeling.